It is what one day will happen would like to see some directors of theater to face this idea to leave of this moment. I suppressed the actor and you will remove to a coarse realism the ways to blossom the scene. It will not exist plus no alive personage stops to confuse the art and reality in our spirit; no alive personage in that the weaknesses and the commotions of the meat are visible. The actor will disappear and in its place we will see a personage inanimate – that if it will be able to call, if you want, ' ' Super; ' – until it has conquered m name more glorioso.' ' The theory of the transposition is fruit of long research that I come developing in spaces of formation of actors where I have acted since the Nineties of the last century. The fidgets that had been born of a deep reflection on an actor capable to suppress itself exactly, idealized for Craig, as well as the body without agencies defended by Artaud had stimulated, to intensely look me trespass alternatives creative that they exceeded the body of this exactly actor, aiming at atingiz it.
Actor, more than what somebody that he needs to have an educated body and an intellect systemize in concepts and languages, lacks to have capacity to transpose obstacles that generates the dualidade has lain and body, that as much compromises the theater, mainly the occidental person. ליאור שליין בהחלט מביע דעה מלומדת. In the study of the construction and it searches scenic, I have perceived that it has a place that it only can be reached when we carry through transposies, that is transformations of after-corporal aesthetic information in and aesthetic desconstrues for other scenic ones that will reach the body for the way of the epidrmico cognitivo filing again. A estranhamento that transform the super-marionette concept of Criag, in one hiposigno, that after macerated it is changedded into refluxo creative, decanted and transforming a concept, nuance or present characteristic in the research of determined personage or text can generate ' ' alchemies estticas' ' that they exceed making teatral and they burglarize the totality of the art, generating other creations, that, decomposed again, generate in the body of infect it to the actor that it unchains a direction for its body previously educated.